MANIFESTO

#64

MUSE TWENTY FANZINE

We Are Not Going Back

2024.02.27

The new single released by Wolfgang Tillmans is accompanied by a video directed by Tillmans himself, using 80 years old footage by his grandfather Karl R. Tillmans filmed in New York 1939 and Western Germany 1949.

Focusing on LGBTQ+ rights and driven by a desire to explore and to expose, Tillmans’ latest song finds hopeful defiance in the face of uncertain, menacing futures. One can hear his voice wavering ever so slightly as he admonishes the listener (and perhaps himself) to “just hold on, just be strong, just be strong”. His delicate singing of this simple line shows his own unwillingness to dispense absolute instructions absolutely. The song’s title – which he repeats throughout the infectious chorus, along with the line “no turning back the clocks” – becomes less a declaration of fact than a declaration of resistance, a clarion call during a moment when so many clocks are being turned back.

“I made this song holding on to a hopeful spirit in alarming times, when in many countries around the globe civil rights, women’s rights, and LGBTQ+ rights are being challenged and increasingly overturned. Some paint a rosy picture of the past whilst forgetting that many people simply were not free, and inequalities were rampant. When I thought about those views of the past, the chorus including ‘no turning back the clocks’ came to me, thinking in solidarity; ‘We can’t possibly want to return to those times, however nostalgic we might feel about parts of them”.

– Wolfgang Tillmans

BODY MOULD

2024.12.10

The exhibition brings together seven international artists who confront and reimagine societal expectations of the body and unveils raw expressions of transformation, resilience, and untamed desire.

NEWS

KAWS: HOLIDAY

2024.11.25

Exploring the creative dialogue and cultural significances of KAWS and Audemars Piguet.

NIKKI MALOOF

AROUND THE CLOCK

2024.11.22

Beauty in everyday life

 

The mundane, the horrors, and everything in between, Maloof captures the everyday in her maximalist artworks.

SANG WOO KIM

THE SEER, THE SEEN

2024.11.21

Confronting his dual cultural upbringing, Sang Woo Kim invites us to pause, look, and question not just what we see, but how and why we see it.

news

THE 80S: PHOTOGRAPHING BRITAIN

2024.11.20

Recording a changing Britain and capturing social change. Tate Britain explores the medium of photography and how it became a tool for social representation, cultural celebration, and artistic expression throughout the ‘80s.