Recording a changing Britain and capturing social change. Tate Britain explores the medium of photography and how it became a tool for social representation, cultural celebration, and artistic expression throughout the ‘80s.

Beauty in everyday life

The mundane, the horrors, and everything in between, Maloof captures the everyday in her maximalist artworks.

Qualcosa che toglie il peso che mantiene l’assurdità e la leggerezza della favola

Fondazione Merz invites us into a space where the weight of reality dissolves, leaving only the raw essence of the world.

The Paris Photo is back at the Grand Palais, showcasing leading international and French galleries, and a host of emerging artists.

Elio Fiorucci’s creative dimensions become an exploration of the exhibition, the way he revolutionised costume and fashion, between eclectic creative proposals and contemporary performances.

A retrospective journey through Salvo’s oeuvre, from his approach to Conceptual Art and Arte Povera through to painting. Repetitions, reflections, roles and relationships determine his independent trajectory.

A multi-sensory exhibition project conceived by Fondazione Prada to narrate Meriem Bennani’s inventive and engaging study and question the contemporary world.

For the September issue, MUSE Issue 64, Hari Nef was shot by Tina Barney and styled by Elly McGaw to narrate Fendi’s FW24 collection.

Galerie Dior in Paris presents an unprecedented look at deep affinities, the codes of the Maison and the attentive lens of photographer Peter Lindbergh.

An exhibition dedicated to Pop Art, a movement that continues to influence contemporary society, a challenge to traditions, a collection of generations and sensibilities.

“The term cinematography creates a terrain in which the tableau and the cinematographic can interact. Those two concepts create a sort of suspended or rarified space in which fiction, the document, the artificial, the spontaneous, the calculated, the accidental, all begin to interact in complex ways. I prepare meticulously what can be meticulously prepared.” – Jeff Wall

George Condo and Andrea Goffo engage in a conversation about the American artist’s practice on the occasion of the new exhibition The Mad and The Lonely, hosted by the DESTE Foundation within the walls of the old slaughterhouse on the island of Hydra, Greece.

Devon Lee Carlson gives a light-hearted interpretation of Gucci’s autumn-winter collection. The Los Angeles setting around her is authentic and real, as is Alyssa Kazew’s photography.

“For me the most interesting trait of an actress is one who seems to be like a mustang, unhinged but fiercely strong whilst they remain vulnerable to the world and willing to show that vulnerability on the screen”. – Abbey Lee

The best of the Autumn Winter 2024 season was shot on the streets of Paris amidst modern details and sophisticated choices by Louis De Roffignac and styled by Louise Mithieux.

MUSE’s vision of the season’s best pieces is interpreted here by Sante Bozzo’s lens and Michela D’Angelo’s styling. One Off tells precisely about modern pieces through refined energy.

A selection of garments and accessories that represent the essence of the season for MUSE. Fall Winter 24 is narrated through the streets of Milan, in a minimal and sophisticated setting.

Virginie Viard’s Cruise collection takes shape on the roof of Le Corbusier’s Cité Radieuse, a place where architectural designs mingle with marine tropes. The city of Marseille also brings with it a strong sense of freedom, a place where creative energy can be discovered or rediscovered.

A season of exploration and contrast, where the soft, organic shapes of waves meet the crisp, structured lines of stripes, and where the fluidity of fabric is juxtaposed with the solidity of form. A collection that feels both ethereal and grounded.