In his fourth film, Eddington, Ari Aster turns a small town in New Mexico into an ideological battleground, caught between the pandemic, digital paranoia, and an American identity crisis.

Artist and filmmaker Amalia Ulman blurs fiction and reality to dissect contemporary life with irony and precision. In this conversation with us, she discusses Magic Farm and the fine line between identity, storytelling, and critique.

Unique atmospheres and captivating rhythms: Audemars Piguet enchants the audience with a new and extraordinary edition of Parallel, where innovation, art, and music come together to create an unprecedented sensory experience.

Annie Leibovitz’s Stream of Consciousness at Hauser & Wirth Monaco brings together works from across her career in a fluid, non-chronological arrangement.

Joshua Oppenheimer’s The End, a film about stories: the ones that soften the truth, help us escape it, and the ones we use to live with it. A post-apocalyptic musical starring Tilda Swinton and Michael Shannon.

Fashion meets literature in the world’s major cities as Miu Miu Summer Reads launches its second edition. This cultural initiative by Miu Miu turns green urban spaces into oases of reflection and reading.

The Lost Photos from a Streetwear Moment, a book by Angela Hill featuring an introduction from Chloë Sevigny, unveils a raw archive of never-before-seen images that capture the spirit and style of a defining era in streetwear culture.

In The Garden, Harley Weir creates fragile, intimate images that linger like sensory relics-where paradise has already begun to decompose, and beauty emerges from the wreckage.

A Fictional Life in Photos

Published by IDEA, Julie Bullard is a photographic book by Nadia Lee Cohen and Martin Parr that reads like a family album from the late 1970s, except none of it ever happened.