Marina Abramović’s first museum exhibition in China, an intercultural exchange involving the public.

Christine Nagel takes us on a personal quest to discover intense and sensual nuances. An enthralling work that combines delicacy and astonishment in a continuous olfactory surprise.

The largest retrospective of Jean Tinguely ever held in Italy. Pirelli HangarBicocca hosts a radical research, a liberation from the static.

Pinault Collection presents a major exhibition at the Bourse de Commerce. Between heritage and influence, material and poetry, public and private.

It’s an opportunity for a pastiche of human activity and just as fleeting as a dance performance. Cementing the ethereal, capturing atmosphere for posterity, inviting us as onlookers to the thrill of spectacle. Andie Dinkin will often include a curtain or some suggestion of a stage.

The first major UK exhibition of American artist Mike Kelley is on view at Tate Modern, London. An elaborate, provocative and imaginary world created by the experimental artist is made by a diverse body of work using drawing, collage, performance, found objects, and video.

For the September issue, MUSE Issue 64, Hari Nef was shot by Tina Barney and styled by Elly McGaw to narrate Fendi’s FW24 collection.

Tina Barney’s first European retrospective explores over four decades of photographs that combine family intimacy with complex artistic reconstruction, offering a glossy look at the social rituals of the American and European bourgeoisie.

In Tracey Emin’s new exhibition in London, the images that emerge serve as an interface to resurrect past versions of herself, to revisit crucial events from her life, and to weave the spectrum of her experience into an ever-present moment.

“The term cinematography creates a terrain in which the tableau and the cinematographic can interact. Those two concepts create a sort of suspended or rarified space in which fiction, the document, the artificial, the spontaneous, the calculated, the accidental, all begin to interact in complex ways. I prepare meticulously what can be meticulously prepared.” – Jeff Wall

George Condo and Andrea Goffo engage in a conversation about the American artist’s practice on the occasion of the new exhibition The Mad and The Lonely, hosted by the DESTE Foundation within the walls of the old slaughterhouse on the island of Hydra, Greece.

Devon Lee Carlson gives a light-hearted interpretation of Gucci’s autumn-winter collection. The Los Angeles setting around her is authentic and real, as is Alyssa Kazew’s photography.

“For me the most interesting trait of an actress is one who seems to be like a mustang, unhinged but fiercely strong whilst they remain vulnerable to the world and willing to show that vulnerability on the screen”. – Abbey Lee

The best of the Autumn Winter 2024 season was shot on the streets of Paris amidst modern details and sophisticated choices by Louis De Roffignac and styled by Louise Mithieux.

MUSE’s vision of the season’s best pieces is interpreted here by Sante Bozzo’s lens and Michela D’Angelo’s styling. One Off tells precisely about modern pieces through refined energy.

A selection of garments and accessories that represent the essence of the season for MUSE. Fall Winter 24 is narrated through the streets of Milan, in a minimal and sophisticated setting.

Virginie Viard’s Cruise collection takes shape on the roof of Le Corbusier’s Cité Radieuse, a place where architectural designs mingle with marine tropes. The city of Marseille also brings with it a strong sense of freedom, a place where creative energy can be discovered or rediscovered.

A season of exploration and contrast, where the soft, organic shapes of waves meet the crisp, structured lines of stripes, and where the fluidity of fabric is juxtaposed with the solidity of form. A collection that feels both ethereal and grounded.